Like the first record, 'Pentimento', it was made by layering new experimental pieces with a range of old four-track tape recordings that I had in my archive.
I spent most of Christmas 2010, back home in Devon, looking through boxes of my old tapes. In
Like the first record, 'Pentimento', it was made by layering new experimental pieces with a range of old four-track tape recordings that I had in my archive.
I spent most of Christmas 2010, back home in Devon, looking through boxes of my old tapes. In the process I discovered a recording of the sea at the North Somerset coast, from the mid 1990s, when I was a teenager, and when my family had a holiday place at Doniford Bay (a piece also referred to in one of the better pieces from 'Pentimento').
I used this tape and a some other old recordings to piece together a series of tracks that referred to Doniford, and to various other seaside places I'd known in my life.
Read more at: https://danielland.co.uk/la-mer
-
Crosswinds 2:140:00/2:14
-
Dunkery Beacon 4:310:00/4:31
-
La Corbière 9:220:00/9:22
-
Jared By The Sea 6:140:00/6:14
-
Five Mile Beach 4:220:00/4:22
-
Hollow Ponds 3:550:00/3:55
-
Doniford Bay Revisited 10:300:00/10:30
-
Atlantic Beach 7:380:00/7:38
-
The Old Light 14:020:00/14:02
-
Val De La Mare 7:110:00/7:11
-
Little Sea 4:040:00/4:04
-
Dancing Ledge 35:050:00/35:05